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M/M (Paris), Jamie Hawkesworth, OK-RM and more donate works for Beirut Re-Store
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Denisse Ariana Pérez on documenting a real portrayal of marginalised communities – not models, not victims
03
Geoff McFetridge creates a literal Apple watch face, blinking with each minute
Publication
Charting four decades since the Casiotone 201 ushered in a new era of electronic music, the zine features stories of how the brand has influenced artists from Leonard Cohen to Salt ’n Pepper via Jarvis Cocker.
Publication
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Ready to start your search for the perfect words? Here are 33 instances where you can opt for descriptive language
Barrio
Despite choosing to work with one of the most referenced objects in art history, Paula adds a new lens to photographing flowers.
Ettore
The second best thing about Bao (after its buns) is its humorous and eclectic visual identity, the vision of its creative polymath founders Shing, Erchen and Wai Ting.
Selvsikker
The painter’s generic, unblemished figures are a direct reference to all that we’ve experienced over the last year.
Swimming Girls
The creation of two Central Saint Martins grads, the publication is designed to be an antidote to the fast-paced nature of the fashion industry.
Corazonada
Built from a combination of branding studios in Mexico, Monumento was formed to begin a “process and design philosophy that [it] actually believed in”.
Tropical Garden
Commissioning over 50 artists to design their own toilet paper holders, a new show dissects the politics of the bathroom.
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Frequently asked Questions
I am often asked questions about the renovation, timing and process. Below is a list of the most popular ones.
Currently based in New York, a city she’s called home since graduating from the School of Visual Arts with an MFA in fine art in 2019, Dana tells us she’s simply never been interested in being anything other than an artist. “Art, and the process of making things has always been the primary way that I am able to process, and understand the world,” she explains. It was at SVA that her unique practice formed, as she explored “digital art, web, fashion, 3D design and printmaking on top of painting and drawing” during her undergrad in graphic design.
Currently based in New York, a city she’s called home since graduating from the School of Visual Arts with an MFA in fine art in 2019, Dana tells us she’s simply never been interested in being anything other than an artist. “Art, and the process of making things has always been the primary way that I am able to process, and understand the world,” she explains. It was at SVA that her unique practice formed, as she explored “digital art, web, fashion, 3D design and printmaking on top of painting and drawing” during her undergrad in graphic design.
Currently based in New York, a city she’s called home since graduating from the School of Visual Arts with an MFA in fine art in 2019, Dana tells us she’s simply never been interested in being anything other than an artist. “Art, and the process of making things has always been the primary way that I am able to process, and understand the world,” she explains. It was at SVA that her unique practice formed, as she explored “digital art, web, fashion, 3D design and printmaking on top of painting and drawing” during her undergrad in graphic design.
Currently based in New York, a city she’s called home since graduating from the School of Visual Arts with an MFA in fine art in 2019, Dana tells us she’s simply never been interested in being anything other than an artist. “Art, and the process of making things has always been the primary way that I am able to process, and understand the world,” she explains. It was at SVA that her unique practice formed, as she explored “digital art, web, fashion, 3D design and printmaking on top of painting and drawing” during her undergrad in graphic design.
Get into contact with me
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About Me
With a background in both graphic design and art, Dana Robinson’s practice sits at a fascinating intersection. She understands the power of combining imagery and text and the cultural and social connotations that come along with doing so, but she also embodies a freedom of expression often lacking in graphic design, meaning Dana’s portfolio errs towards abstraction and conceptual investigations.
It means Dana’s practice today is multifaceted, something which allows her to pull from a history of signals, references and symbols to “draw out emotions and memories we may have forgotten we had.” This often sees her working with found imagery from Ebony Magazine that “highlight[s] the idea of upward mobility and a growing Black middle class.”
